The Best Programs For Recording Music: Tips On Choosing And Reviewing Popular Daws

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Center of a recording studio. Such software provides all the processes associated with the production of music and can be used for recording, mixing, mastering, writing arrangements and musical scores.

The developers are doing everything to make their DAW ready for any studio tasks and meet all standards of the music and recording industry.

Despite this, dozens of topics appear daily in the thematic communities and on music forums with questions from budding musicians about which music recording software is the best. The diversity of DAW complicates the choice – newcomers are often lost and do not understand which program to choose.

What you need to know before choosing a program for recording music

Any DAW is a software package comprising the main application and a set of additional components: plug-ins, virtual instruments, loops, samples and other audio content.

Despite this, the choice of a program for recording music should not rely on the number and even quality of plug-ins. The main thing here is the capabilities of the DAW itself.

You can always purchase or downloaded the Plug-ins there are plenty of solutions from various developers. What you can not buy, so it is the possibility of the digital workstation itself.

Before you make the final choice, read user reviews about the programs you like. Pay attention to common problems pointed to by users. Find out that they are not satisfied with this or that DAW. Do not take comments as true – sometimes the opinions of impressionable and emotional musicians differ from reality.

After reading the reviews, go to the site of developers. Each DAW has a functional demo version, which can be used with no restrictions from 2 weeks to a month. Try the program yourself, learn its features, understand the principle of operation and check the compatibility of the software with your equipment.

The main myth about music software

For some unknown reason, some musicians and sound engineers claim that they equip certain DAWs with a cooler and better sound engine. We can find this myth in discussions of almost any program for recording music. There is always a user who proves that the Pro Tools / Logic Pro X / Cockos Reaper sounds better than other DAWs.

Where this myth came from is unknown, but such speculation about the exclusivity of a digital workstation is nothing more than an attempt to entertain its own self-esteem. From the point of view of the sound program for recording music do not have any difference between them. And even more so can not affect the final sound of the tracks. The music used is influenced by the equipment used, effects and plug-ins, but not by DAW itself.

The best DAW is the one in which it is convenient to work.

It base digital workstations on the same principles of operation. This applies to both audio playback and sound recording capabilities, and signal processing features. For this reason, it is foolish to label the best and worst – everything is too subjective.

The best programs for recording music and the most popular DAW

Music Recoder Tools

When the difference of functions, the main difference between the programs among themselves – the degree of their prevalence among users.

The more popular the DAW is, we can find the more reference materials on it on the web and the larger its community. With which you can find answers to questions you are interested in.

Popular DAW will allow you to work with the project anywhere in the world. You can go with your music to any studio or send it to a friend over the Internet without worrying that the project will not open.

The richness of the functions and the prevalence of a direct impact on the price of the final product. The cost of some programs can go up to several hundred dollars. The high price does not guarantee ease of use among less popular programs. There will be those that are not only cheaper but may also be more convenient to work with.



# 01. Ableton live

Ableton live-daw-record-music-software

Supported OS:  Windows, macOS
Supported plug-in formats:  VST, AU
Cost: from $ 99
Official website:  https://www.ableton.com

The release in 2001 of the first version of Ableton Live was a breakthrough for the music industry. The musicians appreciated the approach to the design of the interface of the program, well adapted for both recording and live performances. Besides the traditional DAW, users received at the disposal of another musical instrument, albeit soft.

Today, we consider Ableton Live the standard in the music industry. Live is an ideal choice for musicians who want to create new loops and samples in a few clicks, control all elements of the project and experiment with sound and effects. If you’re doing electronic music, start with Ableton. In addition to convenience and flexibility, it will ease your life during live performances.

# 02. Apple GarageBand

Apple GarageBand-daW-MUSIC-RECORDING-SOFTWARE

Supported OS:  macOS
Supported plug-in formats:  AU
Cost: free with the purchase of Apple computers; $ 2.99 for unlocking all additional features.
Official website:  https://www.apple.com

GarageBand is installed by default on all Apple computers, laptops, tablets and smartphones. If you bought a new MacBook to work with music, then GarageBand is the perfect place for your first musical experiments and the basics of sound recording and music production.

GarageBand is easy to learn and friendly to the novice user. The program comes with a large collection of plug-ins, virtual instruments and other audio content, which for the first time will be more than enough. Inside the “Garage” there is a virtual pedalboard, a set of virtual amplifiers, an excellent software drummer X Drummer and a number of other features. In addition, you can synchronize the desktop with the mobile version of the application via iCloud: created a project on an iPhone, sent it to MacBook for further work.

Despite this wealth, you should not consider GarageBand as the main workstation – the program’s functionality is basic, and they explicitly aim it at novice musicians. At some point, the capacity of the Garage will cease to be enough – you will have to look for a more productive replacement. You will have two paths:

  1. Switch to Logic Pro X, which opens all GarageBand projects with no loss;
  2. Switch to any other program and transfer projects manually, including track settings, audio editing and plug-in settings.

If the requirements for DAW functionality are not large and you need something simple to solve non-trivial studio tasks, choose GarageBand. If you need something more advanced and productive, then look toward other programs.

# 03. Apple Logic Pro X

Apple Logic Pro X-music -station

Supported OS:  macOS
Plugin supported formats:  AU
Cost: $ 199
Official website:  https://www.apple.com

If the studio is built around a Mac, and there are few GarageBand opportunities, then you should pay attention to Logic Pro X. Choose Logic Pro X musicians get a productive digital workstation with a clear and not overloaded interface, ready to produce music in a variety of styles.

The Apple workstation is very popular in the music industry and is present in almost any studio (along with Pro Tools, Cubase and Ableton) where there is a Mac. The popularity of Logic plays into the hands of beginners on YouTube. There will be a huge number of training videos on all aspects of working with the program, up to courses on creating a finished track only with the help of built-in tools.

With the program, users get a huge library of content the size of over 70 GB. Inside it are a variety of virtual instruments (both typical and rare), synthesizers, plug-ins, loops and samples, virtual drummer parts and much more. Mastering all this is easy – in terms of the simplicity of work, Logic X has no equal, here we put the convenience of work at the forefront (not to the detriment of functionality).

They build the flagship DAW on the same principles and approaches to the user interface as GarageBand. Transition from Garage to Logic will be painless. Not only in terms of adaptation to the new program but also in the matter of transferring projects – DAW opens projects created in the mobile and desktop version of GarageBand.

The main problem of Logic Pro in the exchange of projects, if none of the friends have a MacBook. Although in this case, options for transferring information remain, albeit not the most effective.

# 04. Avid Pro Tools

music-record-via-Avid Pro Tools

Supported OS:  Windows, macOS
Plugin Supported Formats:  AAX
Cost: $ 599 ($ ​​24.92 / month for subscription version)
Official website:  http://www.avid.com

Everyone who is in any way connected with music heard about Avid Pro Tools. The Avid workstation has long been considered the industry standard in the field of recording, mixing and mastering. It is not worth waiting for any revelations from Pro Tools – externally and functionally the program offers the same features as any other DAW.

Avid Pro Tools only works with plug-ins in the AAX and RTAS format, but not all third-party developers release their products in this form. Although Pro Tools includes VST / AU-To-RTAS / AAX converters, developers do not promise full support for formats other than AAX.

Versions of Pro Tools LE and Pro Tools M-Powered are trimmed programs. These publications go to the load to any equipment, are limited in the number of tracks in the project. And also do not have automatic compensation for the delay in passaging the sound signal.

Avid Pro Tools will be a wise choice for those who plan to go with their projects to a professional recording studio in the future and get maximum compatibility. Pro Tools is everywhere the program has three global disadvantages:

  1. The high cost (there is a subscription rate);
  2. Tangled and difficult to learn by beginners interface;
  3. Leisure developers in introducing new features.

If everything is clear with the first and second, then the slowness is difficult to explain. Competitors are constantly increasing the list of features designed to improve usability, but Avid doesn’t seem to be interested. Any innovations that users are asking for are being introduced by the creators reluctantly and very slowly.

# 05. Cakewalk SONAR (Cakewalk by BandLab)

Cakewalk SONAR-daw-recording-software

Supported OS:  Windows
Supported plug-in formats:  VST
Cost: free
Official website:  https://www.cakewalk.com

SONAR is one of the old-timers of the DAW market. The first version of this program for recording music appeared over 30 years ago, during the days of MS-DOS.

Cakewalk Sonar is exclusive for PC, which some foreign users call Logic for Windows. Elegant and fully customizable interface, many editions for a variety of needs and wallets, and wide possibilities of working with sound.

In 2015, the famous guitar brand Gibson gained Cakewalk and began active development of DAW, releasing several editions of the program. Soon the situation has transformed. At the end of 2017, Gibson was on the verge of bankruptcy and began to get rid of unnecessary assets – the Cakewalk team fell under the hand. DAW development was discontinued, and Cakewalk they decided it to close.

While users were grieving about the untimely demise of DAW, BandLab, which bought out Cakewalk and all its assets, intervened. BandLab reduced the number of versions and changed the pricing policy – now SONAR exists only in the maximum edition and is distributed free of charge.

Included with the program, customers get a large library of samples, the full version of the virtual drums XLN Addictive Drums 2 (see The Best VST-Drums, or Yourself a Drummer) and a set of high-quality plug-ins and effects emulations from Cakewalk. For a free program, the list is more than impressive.

# 06. Cockos reaper

Cockos reaper-recording software

Supported OS:  Windows, macOS, Linux
Supported plug-in formats:  VST, AU
Cost: $ 60
Official website:  http://www.reaper.fm

Cockos Reaper has existed for over 10 years – they released the first version of the program in 2004. Developers pay special attention to the quality and capabilities of the program, trying to disown commercial interest. This approach leads to the fact that the Reaper is one of the most powerful and inexpensive DAW on the market, which costs $ 60.

The popularity of “Reaper” came in the early 2010s, when the BBC corporation announced its full transition to Reaper. Following the media, giant Reaper began to promote various musicians actively.

Among the advantages of the musicians note the low cost of the license, the functionality is not inferior to the more well-known programs for recording music, and an impressive list of plug-ins that come with it. Among the minuses: the lack of a set of virtual tools and some confusion and complexity of the graphical interface.

# 07. Image-Line FL Studio

Image-Line FL Studio-music

Supported OS:  Windows, macOS
Supported plug-in formats:  VST
Cost: from $ 99
Official website:  https://www.image-line.com

We consider FL Studio as a beginner program. Such a proposition is erroneous: Deadmau5, Martin Harriks, Afrojack, Anacondaz beatmaker Timur Yosetov, Mike Oldfield and the parodist Enjoykin use “frutics” actively, and Avici wrote all his hits with her. To call each of them a beginner is unlikely to work.

FL Studio offers a slightly different approach to creating music and working with tracks – at these moments, DAW is more like a soft step sequencer than a regular program for recording music. FL Studio’s capabilities are wide, and with proper straightforwardness of the hands and head on the shoulders, the workstation allows you to achieve impressive results.

Complete with FL Studio offers a large selection of instruments, synthesizers, effects and plug-ins aimed at creating electronic music. The sound quality of individual elements is not the highest, but for most work tasks, this is also enough.

# 08. PreSonus Studio One

PreSonus Studio One-daw-recording

Supported OS:  Windows, macOS
Supported plug-in formats:  VST, AU
Cost: from $ 99
Official website:  http://www.presonus.com

The relatively young and actively developing DAW from PreSonus has already earned the love of musicians and sound engineers all over the world. With the release of Studio One.

The workstation has evolved from a budding newcomer to a strong player in the recording market, and Studio One 4 has merged this status. Simple and intuitive interface, the broadest possibilities for working with the arrangement and sound, high-quality plug-ins and a good set of virtual instruments and effects included.

The program is distinguished by the stability of work on both Windows and macOS, as well as the frequent release of updates with new features. Developers carefully listen to the opinions of users, consistently release updates at the request of musicians, correct errors and introduce new features – support is at the highest level.

# 09. Steinberg cubase

Steinberg cubase-record-music

Supported OS:  Windows, macOS
Supported plug-in formats:  VST
Cost: from € 99.99
Official website:  https://www.steinberg.net

Ask in any forum about which program to record music to choose and one of the most popular options will be Steinberg Cubase. Cubase old-timers are rightfully considered being the most popular DAW, to which the program’s cross-platform and its prevalence in recording studios not least contribute.

Cubase comes in three editions, each of which offers musicians convenient to work with audio and MIDI, a set of instruments and samples, built-in autotune and other features. Among the features, you can highlight a special cloud that allows Cubase users of different platforms to work with projects in real time.

Of the minuses, it is possible to single out an unsuccessful and intricate interface based on a multitude of work areas, which users have long dubbed “window madness.” Recently, there has also been some stagnation in the program’s development: they release new versions every year, but there are not so many new innovations in them, which users often complain about on the Internet.

Also, inconvenience is the licensing of the program, complicating the lives of those musicians who accustomed to mobility. Users need to constantly use a software or hardware USB key that stores license files and is tied to specific hardware.

# 10. Acoustica Mixcraft

Acoustica Mixcraft-daw

Acoustica Mixcraft workstation looks similar to Apple’s GarageBand.

Supported OS:  Windows
Supported plug-in formats:  VST
Cost: from $ 89
Official website:  http://www.acoustica.com

Acoustica Mixcraft has gained the reputation of a program for beginners because of its simplicity and the presence of only the most necessary minimum of functions for recording music. Because of the ease of operation and functionality, some musicians call Mixcraft GarageBand for Windows, although its capabilities are richer than Apple’s competitor.

Mixcraft is not the most popular program for musicians on the market, but its skills are more than enough for recording, mixing and mastering. Starting with version 8, they equipped the program with a new sound engine that supports the automation of any processes, and integration with the Freesound.org sample library. The program is developing steadily and does not lose the main thing – the DAW interface is still simple, clear and friendly to beginners.

# 11. Adobe audition

Adobe audition-music-recorder

Supported OS:  Windows, macOS
Supported plug-in formats:  VST (effects only)
Cost: 1288 ₽ / month.
Official site:  http://www.adobe.com

Ask on any music forum what program to record music to choose, and someone will definitely advise you Adobe Audition. With all its popularity, Audition is not a digital workstation, but just an audio editor,

A rich selection of built-in effects and functions is primarily aimed at recording and processing voice, although you can record any audio signal using Audition. The editor is easy to learn and use and supports work with all existing audio file formats.

Despite this, the program lacks functionality: Audition does not know how to work with VST instruments (only with effects), and does not have MIDI support — you can forget about the Piano Roll, virtual synthesizers, and so on. If studio work only consists in recording audio (live instruments), then Audition will become an indispensable assistant, but if you want universality from your studio, then choose something else.

 



# 12. Audacity

Audacity-audio-0editor

Supported OS:  Windows, macOS, Linux
Supported plug-in formats:  VST
Cost:  free
Official website:  http://www.audacityteam.org

A free audio editor developed by the community of enthusiasts. Audacity is popular in certain circles of musicians, as well as podcasters and Linux users.

Audacity is very similar to Adobe Audition, but it positions itself as a free and freely available alternative to many other audio software. There is also no Piano Roll, MIDI and VSTi instruments, and Audacity itself is more suitable for recording and processing voice, although no one forbids keeping a multi-channel recording of any instruments and sound sources.

In 2007, the Canadian band Barenaked Ladies recorded an album using Audacity, and then uploaded not only songs to the network but also projects for each song, allowing fans to mix up the new tracks themselves. And many Podcasting communities around the world, which has become the pioneers of podcasting, recommends using Audacity to record voices.

# 13. Bitwig Studio

daw-Bitwig Studio-recording

Supported OS:  Windows, macOS, Linux
Supported plug-in formats:  VST
Cost: $ 399
Official website:  https://www.bitwig.com

Bitwig Studio was released in 2014, and in early 2017, the second version of the digital workstation realized. The program is simple and clear. It is easy for a novice musician to figure it out.

Despite their youth, developers are constantly improving Bitwig, adding more and more new features to it, as well as improving existing components. Musicians, who prefer Bitwig development, note the simple interface of the program in the spirit of Ableton Live, as well as advanced modulation and automation capabilities.

The main disadvantage of Bitwig is its low prevalence. You can hardly find a studio that has this program, so you can not even think about sending projects. Perhaps the situation will change in the future, and DAW will become more popular, but so far, Bitwig has been used by a tiny community of musicians.

Z# 14. MAGIX ACID

MAGIX ACID-Daw-Record-Music

Supported OS:  Windows
Supported plug-in formats:  VST
Cost: from $ 59.95
Official website:  http://www.magix-audio.com

Sony released the first version of ACID in 1998. The audio editor quickly gained popularity in the market, and the interface, inspired by step sequencers, seemed innovative at that time. Later, the program learned to work with MIDI and VST, becoming a full-fledged digital workstation.

By the end of the 2000s, Sony lost interest in ACID, focusing on video editors. This led to a decline in the popularity of ACID – the program was no longer considered a standard for recording sound.

In 2016, the German MAGIX bought all the developments from Sony and continued to develop the program under the new name MAGIX Acid. Salvation from new developers kept the main features of the software (ease of use, speed and versatility in solving problems), but the former popularity has not returned to it.

# 15. MAGIX Music Maker

MAGIX Music Maker-Recording-daw

Supported OS:  Windows
Supported plug-in formats: VST
Cost: free
Official website:  http://www.magix-audio.com

MAGIX Music Maker is close in spirit to GarageBand and is a program for recording entry-level music. According to the developers, the simplest interface, a modest set of the most necessary effects, virtual instruments and MIDI, as well as basic automation functions, should be more than enough for novice musicians.

To help newcomers altogether, MAGIX made Music Maker completely free (see Magix Music Maker became free ). Freeness of the program is useful at the very beginning of the musical journey when a person does not understand how the recording is arranged – for general acquaintance and learning the principles of the music maker is sufficient.

# 16. MAGIX Samplitude Music Studio

Recording-Daw

Supported OS:  Windows
Supported plug-in formats: VST
Cost: $ 99.99
Official website:  http://www.magix-audio.com

MAGIX Samplitude began with a simple audio editor, gradually becoming a full-fledged digital workstation. Sound recording, working with MIDI, object-oriented content editing during mixing, an informative and convenient mixer, tempo automation and much more – in Samplitude there is everything you need for music production.

Together with the program comes a set of high-quality effects, several virtual instruments and the initial version of the vocal editor Melodyne.

The problem of Samplitude is not only in its meager prevalence but also in its price. MAGIX asks for a $ 100 workstation, which looks like a mockery against the background of a more popular, advanced and convenient Reaper.

# 17. Propellerhead reason

Propellerhead reason-recording-Daw

Supported OS:  Windows, macOS
Supported plug-in formats:  Reason ReFill, VST
Cost: from $ 69
Official website:  https://www.propellerheads.se

Propellerhead Reason is a unique DAW which until 2017 did not support work with third-party plug-ins. VST support and serious development of the program began only in 2017 after the release of the Reason 9.5 update.

In contrast to “its atmosphere,” Reason offers a simple and unified interface for all platforms, high stability and backward compatibility with any projects created in all versions of Reason, starting with the very first (the only plus closeness for third-party plug-ins). Separately, it is worth noting the convenience of synchronizing projects: the Reason project file includes it imports not only all the information about the tracks and their position in the song but also the plugins themselves.

The workstation focuses on electronic music, so the sound recording capabilities of Reason are somewhat limited. For those who often record live instruments, the developers recommend using another program – Propellerhead Record. It can integrate Record and Reason with each other to get one recording complex.

Record copes with recording tasks with minimal latency and also includes an SSL mixer and a whole set of Line 6 guitar effects. You can use Reason + Record in conjunction with other DAWs (for example, Cubase) via ReWire.

# 18. Steinberg nuendo

recording software

Supported OS:  Windows, macOS
Supported plug-in formats:  VST
Cost: from  € 149
Official website:  https://www.steinberg.net

Initially, Nuendo was created for the needs of post-production and mastering, but ordinary users intervened. The musicians quickly noticed that Nuendo copes with the role of the DAW and is great for recording music.

In terms of music production, Nuendo has identical capabilities with Cubase, and the principles of work in both programs are identical. The main difference lies in the advanced editing, processing and synchronization of audio and video content.

If you plan too often and work a lot on the sound design of video content (trailers, films), then you can pay attention to Steinberg Nuendo. In all other cases, it is better to give preference to other DAW.

# 19. Tracktion waveform

Supported OS:  Windows, macOS, Linux
Supported plug-in formats:  VST, AU
Cost: from $ 69
Official website:  https://www.tracktion.com

British programmer Julian Storer developed Tracktion Workstation. Soon, the development of Storer gained the company Mackie, after which work on the program stopped. The case moved off the ground in 2013, when Tracktion gained its independence. In 2017, Tracktion Software released Tracktion T-7, and then abandoned its development, replacing Tracktion with another DAW – Tracktion Waveform.

Among the main features of the program – support for Elastique Audio Manipulation technology for flexible audio editing, as well as its own freezing system. Freezing in the program allows you to choose at what points the results of the effect of chain work on a separate track and on the master track will be exported to the final file.

In general, the Waveform does not differ from other DAWs. The trouble is that its user base is so small that to meet another musician sitting on a Waveform is like finding a needle in a haystack. Consider this by giving preference to Tracktion.

By the way, outdated versions of their programs Tracktion distributes free of charge. So, for example, in August 2018 the company laid out TrackT7 T7 in free access, so now you can get acquainted with the world of DAW on a more or less serious software for free.

General tips for choosing a program to record music

Choosing the right DAW can be a difficult task even for an experienced musician. Before making a final decision on the purchase of the program, it is worth clarifying a few things.

There is no better DAW

Recording Software For Music: Tips On Choosing And Reviewing Popular Daws

Until the mid-2000s, Cubase was considered the king of MIDI, Logic had the highest quality virtual instruments, and Pro Tools knew no equal in working with audio tracks and their contents. Today, the differences between the DAW are so small that they are unlikely to play a significant role in daily work.

Each of us has our own best DAW.

The times when DAW alone coped better with some tasks are long gone. Asking for advice from experienced musicians and sound engineers, remember that their tips and comments are biased. Each person will advise the program in which it is convenient to work. People tend to inflate the dignity of what is close to them and disparage unfamiliar things. No need to run with a bundle of money for Pro Tools just because someone called it the best DAW.

Platform means nothing

The operating system in which DAW operates does not affect the capabilities of the software. Choosing a program to record music, focus on the operating system of your computer, but no more. 95% of digital workstations are shipped for both PCs and Macs, and some support Linux.

Some DAWs are available only for specific operating systems. GarageBand and Logic Pro X exist only in the macOS environment, while Cakewalk SONAR is currently an exclusive product for Windows-based computers. Any comments about Poppy’s uniqueness or PC’s flexibility are complete rubbish. Choose based on your own preferences, available equipment and budget.

Musicians raise expectations from Logic Pro

Logic Pro X is expensive, especially now. Logic costs $ 199 (12 990 rubles), for which the musician gets a convenient program and an impressive set of samples, loops, virtual instruments and other good. Buying such a set separately would cost significantly more than the stated $ 200, but the problem is different. Logic Pro X does not differ from any other DAW.

Sample library? Cubase, Studio One and even Mixcraft have it. Industry standard? Cubase and Pro Tools are even more standard than Logic. Work speed? Reaper and Studio One are still far away. In Logic, there is nothing that other programs would not know how to record music.

Apple loves to make money; that’s fine. In order for sales to grow, Cupertino people need to sell computers and laptops on macOS, the target audience of which are musicians as well. That’s why Apple loves to celebrate the exclusivity of Logic Pro X.

Think about what you are going to do

It is possible to argue for hours, which program for recording music is better, but the most effective way to assess the capabilities of the software will be to download a demo version. Download, install and see how the program works. If the developers offer a demo project in the package, then download it.

Despite the small differences in functionality, some DAW is better adapted to certain styles of music. For example, FL Studio and Ableton Live are more suitable for electronic and dance music, in contrast to Pro Tools with its emphasis on live creativity. This does not mean that you cannot record a guitar in Ableton or create a beat in Pro Tools. The thing is different: some workstations are simply more convenient for solving certain tasks.

 



Count the budget

Virtually all digital workstations come in several editions. Differences usually comprise the number of instrument tracks and channels available to the musician, as well as the supplied software.

The initial and basic editions are suitable for those who are just starting to get acquainted with the recording and sound engineering. Such versions are cheaper, contain the minimum necessary for the work. And some elements that awaken the interest of the musician to the transition to a more advanced level. In turn, the full versions remove any restrictions on the number of tracks and tools, activate all the available functionality and offer more plug-ins and effects.

The possibilities of initial or intermediate editions will be enough for 80% of musicians, and most of the plug-ins and functions may not be useful at all. Any missing plugins can be purchased later.

Think carefully about what features you need. Why pay for something that you will not use? In addition, you can wait for discounts and sales to buy cheaper software, or purchase the program with a friend.

Project Sync

You can skip this item if it’ll carry the work on the music out within the walls of one studio. Those who are going to send projects somewhere or share them with friends in a group should study the possibility of synchronizing projects.

Project sharing will be a real hell if you install Logic Pro X at home, friends work exclusively in Cubase. And only Pro Tools is at the studio. Some DAW export projects to open formats, but it’s pointless to wait for a miracle. It can transfer only MIDI events and some basic things. Everything is much more complicated with plug-ins, track settings and audio files.

An adequate solution to choose a program that is popular in your music circles or is used by musician friends. So you will save yourself from problems with the exchange of projects, plus there will be someone to ask questions about using the program (if they appear).

Choose what is convenient for you

I know people for whom commitment to any particular DAW is like religion. For them, it does not matter what opportunities have the competitors – a comfort when working above all else.

DAW should work for you and your ideas, not against them.

What is important is not the bells and whistles and functions? But the convenience of work, about which we have already spoken a hundred times? What is important is not the bells and whistles and new features, but usability? No one wants to spend a few days traveling through the menu in search of the desired option or function. The less time spent on any routine matters, we have the more time for creativity.

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